PUBLICATIONS
EDITOR
2028
Forthcoming
Editor, The Gilberto Cárdenas and Dolores Garcia Collection of Latino Art at the Blanton Museum of Art, University of Texas Press.
2026
Editor, “Ecologies of Place,” X as Intersection: Writing on Latinx Art, US Latinx Art Forum (USLAF), online.
CHAPTERS IN BOOKS
2028
Forthcoming
“Frown if You’re a Chicano: Visual Dissonance in Chicana/o/x Photographers of the Cardenas/Garcia Collection at the Blanton Museum of Art” in The Gilberto Cárdenas and Dolores Garcia Collection of Latino Art at the Blanton Museum of Art, ed. Claudia Zapata, University of Texas Press.
“Deep in the Heart of Texas: The Gilberto Cárdenas and Dolores Garcia Collection of Latino and Chicano Art” at the Blanton Museum of Art in The Gilberto Cárdenas and Dolores Garcia Collection of Latino Art at the Blanton Museum of Art, ed. Claudia Zapata, University of Texas Press.
2026
Forthcoming
Chicano Newspapers as Activist Icon: “El Cuhamil” in Luis Guerra’s “Hasta La Gloria” in Chicano in Print: Graphic Design History and Social Justice in Chicano Newspapers, 1960s–1970s, eds. Alexandria Canchola Joshua Duttweiler, Bloomsbury.
Armando Rascón, “Web 1.0 for Chicanos: Occupied Aztlán Database (1993-1994).”
2023
“Rethinking the Ph.D. Exam for the Study of Digital Humanities” in What We Teach When We Teach DH: Digital Humanities in the Classroom, co-author, Asiel Sepúlveda, eds. Brian Croxall Diane Jakacki, 109-118. Minnesota, Minneapolis: University of Minnesota Press.
“The Future is Feminist: How the Maestras Atelier Transformed Self Help Graphics,” in Self Help Graphics at Fifty: A Cornerstone of Latinx Art and Collaborative Artmaking, edited by Tatiana Reinoza and Karen Mary Davalos, 107-134. Oakland, California: University of California Press, 2023.
CATALOGUES
2026
Forthcoming
“Latinx Artesanía Painting: Cultural Fantasies and Material Rebellion.” In Let Us Gather in a Flourishing Way: Latinx Painting Today, edited by Andrea Alvarez. DelMonico Books-D.A.P., New York, Buffalo AKG Museum, Buffalo.
“Tejana/Chicana por vida: Carmen Lomas Garza’s Early Activist Texas Visions.” In Carmen Lomas Garza Picturing the Familiar, edited by Alana Hernandez, ASU Art Museum, Tempe, Arizona.
2024
“The Chicana Reclamation of the Sleeping Figure: Yolanda López’s 'Mexican Chair' and Judith F. Baca’s 'Pancho.'” In The Shape of Power: Stories of Race and American Sculpture, edited by Karen Lemmey and Tobias Wofford. D.C.: Smithsonian American Art Museum.
2023
"Ester Hernandez." In Teddy Sandoval and the Butch Gardens School of Art, edited by C. Ondine Chavoya and David Evans Frantz. Independent Curators International (ICI), Inventory Press, the Vincent Price Art Museum at East Los Angeles College, and the Williams College Museum of Art.
“Nancy Hom—'No More Hiroshima/Nagasakis.’” In Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects, edited by Theodore S. Gonzalves. Washington, D.C.: Smithsonian Institution Press, 2023.
2020
“Chicanx Art in the Digital Age.” In ¡Printing the Revolution! The Rise and ImpacT of Chicano Graphics, 1965-NOW, edited by E. Carmen Ramos, 129-156. Washington, D.C.: Smithsonian American Art Museum: Princeton: in association with princeton University Press, 2020.
“Artist Interviews,” XicanX: New Visions, Centro des Artes, San Antonio, TX. Exhibition catalogue.
2019
“Digital Harbinger: Michael Menchaca’s The Codex Silex Vallis (The Silicon Valley Codex),” Lawndale Art Center, Houston, TX. Exhibition handout.
2018
"Changarrito at Mexic-Arte Museum," Changarrito: 12 Años, 2018. Exhibition catalogue.
2017
“History of Abstraction,” Wild Abandon. Austin: Print Press, 2017. Exhibition catalogue.
2012
"Uprooted Dreams," Margarita Cabrera: Uprooted Dreams Austin Art in Public Places, 2012. Exhibition catalogue.
REVIEW
2018
“Robb Hernández, Tyler Stallings, and Joanna Szupinska-Meyers’s Mundos Alternos: Art and Science Fiction in the Americas.” Aztlán: A Journal of Chicano Studies, Volume 43.2 (Fall 2018): 299-304.
2012
“Michael Menchaca: Of Migratus at Red Space Gallery,” Pastelegram, 6 April 2012, pastelegram.org/reviews/101.
2011
“Hystrionics and the Forgotten Arm at Women & Their Work,” Pastelegram, 11 November 2011, pastelegram.org/reviews/68.
“¡Feria! Folk Art from Regional Fairs in Latin America at San Antonio Museum of Art,” Pastelegram, 23 August 2011, pastelegram.org/reviews/47.
BLOG
2025
“Alien Encounters: Eric J. García’s ‘Space Invaders,’” Veteran Art Movement (blog), June 27, 2025.
2021
“Laura Aguilar Photographs in Focus: Latina Lesbians,” Smithsonian American Art Museum’s Eye Level (blog), June 30, 2021.
“Chicanx Queer Visions: Fighting for Change and Exploring Identity,” Smithsonian American Art Museum’s Eye Level (blog), June 16, 2021.
“Chicano Artists Challenging History and Reclaiming Cultural Memory,” Smithsonian American Art Museum’s Eye Level (blog), May 4, 2021.
“From Recycling to Revolution: Alternative Media in Chicanx Protest Art,” Smithsonian American Art Museum’s Eye Level (blog), March 16, 2021.
E. Carmen Ramos and Claudia Zapata, “The Changing Nature of Chicano Graphic Arts from 1965 to Today,” Smithsonian American Art Museum’s Eye Level (blog), February 3, 2021.
E. Carmen Ramos and Claudia Zapata, Chicano Graphic Arts and the Making of the Landmark Exhibition ¡Printing the Revolution! Smithsonian American Art Museum’s Eye Level (blog), January 25, 2021.
ARTICLES
2024
“Post-Internet Latinx Art: Networked Interventions in the Digital Diaspora” in Latin American and Latinx Visual Culture, Academic Journal, University of California Press.
2019
"Don’t Mess with Tejanas: Texan Feminist Artists and Zine Publishing as Resistance." Hemisphere: Visual Cultures of the Americas Volume XII, (2019): 98-104.
Reprint: “Don’t Mess with Tejanas "Chamisa Volume 2 Full PDF." Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest 2, 1 (2022): 95-102. https://digitalrepository.unm.edu/chamisa/vol2/iss1/1.
“Branding ‘Death’ in a High-Tech Boycott: United Farm Workers and the Wrath of Grapes Campaign.” Jollas: Journal of Latino/Latin American Studies Vol. 10, Issue 1 (2019): 48-69.
“‘Let’s Get Weird’: El Mundo Zurdo as a Designer Toy.” El Mundo Zurdo 7: Selected Works from the 2018 Meetings of the Society for the Study of Gloria Anzaldúa, (2019): 109-116.
2017
“Walter Horne’s ‘Triple Execution’ Postcards: Death on the Border.” Panhandle-Plains Historical Review, LXXXVIII (Fall 2017): 49-63.
“Undocumented doodles, ‘Chola-fied fly girls’, and chingos of paper: the history and beginnings of ChingoZine.” Aztlán: A Journal of Chicano Studies, Volume 42.1 (Spring 2017): 217-223.
OTHER